1994

Ph.D. in Music, University of California, Berkeley

1990

MA in Composition, University of California, Berkeley

1989

Diploma in Composition, with G.Manzoni, S.Gorli, Conservatorio di Musica G.Verdi, Milan

1986-1988

Perfection in Composition with F.Donatoni, B.Ferneyhough, G.Grisey, Scuola Civica di Musica, Milan

1980

Diploma, Liceo Scientifico R.Donatelli, Milan

2020-

Member of the Academic Council, Conservatorio G.Rossini, Pesaro (Italy)

2016-

Full Professor of Composition, undergraduate and graduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio G.Rossini, Pesaro (Italy)

2010

Fulbright Scholar in Residence, Professor of Italian Culture and Music, Scripps College, Claremont, CA

2008-2016

Full Professor of Composition, undergraduate and graduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio N.Piccinni, Bari (Italy)

2008-2011

Lecturer, Master in Sacred Music, Architecture and Liturgy, Pontificio Ateneo Regina Apostolorum, Università Europea di Roma – (Vatican City)

2000-2008

Full Professor of Music, undergraduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Civica Scuola di Musica, Milan (Italy)

2007-2008

Lecturer of Twentieth Century Music, Graduate School of Composition, Conservatory of Lugano (Switzerland)

1995-1996 1997-1998 1998-1999

Associate Professor of Music, undergraduate and graduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio N.Piccinni, Bari

1996-1997

Associate Professor of Music, undergraduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio di Musica Bonporti di Trento at Riva del Garda

1996-2016

Professor of Music, IES Abroad Milan at Università Cattolica del Sacro Cuore, Music Theory courses taught in English to international college students, Contemporary Music & Literature, Music Futurism, Musical Forms, History of Vocal Music Forms and Techniques, Milan

1993-1995

Instructor, courses of Musicianship and Music Theory, Scuola Civica di Musica, Assago

1991-1992

Graduate Student Instructor (GSI II), undergraduate courses of Basic Musicianship, University of California, Berkeley

1990-1991

Graduate Student Instructor (GSI I), Assistant of Proff. R.Taruskin and J.Butt, undergraduate courses of Introduction to Music, University of California, Berkeley

1985-1987

Substitute Teacher, Scuola Media G.Pascoli Middle School, Music Education, Milan

1981-1982        

Substitute Teacher, Istituto Maria Immacolata Middle School, Music Education, Milan

2014-2016

Senior Advisor to the Provost for International Development, Conservatorio “Piccinni”, Bari

2014-

Procuratore, Fondazione IES Abroad Italy, Roma/Milano

2011-

Supervisor of Assessment, Nucleo di Valutazione Committee, Civica Scuola di Musica, Milan

1997-

Director, IES Abroad, Chicago-based consortium of US colleges and universities, at Università Cattolica del Sacro Cuore, Milan https://www.iesabroad.org/IES/Programs/Italy/Milan/milan.html

2001-

Board Member, AGON Acustica Informatica Musica, Milan

http://www.agonarsmagnetica.it

2005-

Board Member, Il Canto di Orfeo Ensemble, Milan

http://www.quartettomilano.it/it/00637/638/page.html

2002-2004

Director, Civica Scuola di Musica, Milan

http://www.fondazionemilano.eu/musica/

1995-1996

Management Consultant, AGON - Centro Studi Armando Gentilucci, Milan

1993-1996

Director, Scuola Civica di Musica, Assago

http://musicassago.altervista.org/pagine/scuola.html

1992-1996

Production Manager, Divertimento Ensemble, Milan

http://www.divertimentoensemble.org/

2018

Jury Member, National Composition Competition “Mauro Crocetta”, Ascoli Piceno

2017

President of the Jury Committee, Premio Cervantes of Composition, Bari

2010

Fulbright Scholar in Residence at Scripps College, Claremont, CA

Jury Member, International Composition Competition “S.Rossore”, Pisa

2009

B.E.A. Award: Best Public Event in Italy in 2009 for Luci Futuriste: Il Suono della Guerra dei Suoni, commissioned by the City of Milan, produced by Castagna & Ravelli and AGON, Milan

Visiting Composer, Harvard University, Composers’ Colloquium, Cambridge, MA

2008

Visiting Professor of Music, Penn State University, State College, PA

2006

Visiting Professor of Music, University of Puget Sound, WA

2005

O’Brien Visiting Professorship, Scripps College, Claremont, CA

2004

Spokesman Elected to represent the Association of music schools in Italy, AISM Conference, Malmö, Sweden

2003-2004

President of the Jury, Concorso Jazz Dimensione Giovani, Comune di Milano, Orchestra Senza Confini

2001

Composer in Residence, Arcana Composers’ Meeting, Brescia, Italy

1992

Anne Ellston Scholarship, University of California, Berkeley

1992

First Prize, Nicola De Lorenzo Prize for Music Composition, for String Trio, University of California, Berkeley

1991

G.Charlebois Scholarship and O.Weil Memorial Scholarship, University of California, Berkeley

1990

First Prize, Nicola De Lorenzo Prize for Music Composition, for Opere – for solos, choir and orchestra, University of California, Berkeley

1990

Discussed and Included in the national list of emerging composers at the National Conference Comporre per la pratica, possibilitá e limiti, Bolzano, Italy

1989

Lulu J.Blumberg Memorial Fellowship in Music, University of California, Berkeley

1988

ISTRA Scholarship, funding one year of research abroad with Ceslaw Milosz, 1980 Nobel Prize for Literature, Milan

1986

Selected for the final performance at Concorso Nazionale di Composizione Castello di Belveglio, with L'Aquilone, for wind quintet, Belveglio, Italy

1986

Selected for the Young Composers & Young Performers Series, L'Istante for strings e percussion, cond: Daniele Gatti, Circolo Culturale B. Brecht, Milan

Compositions:

Commiss / produc.

Publish

Rec.

2020

Today’s Variation of Yesterday, for Vn, Cello & Pf.

August 2020

2019

From the Edge of the World – For Voice and piano

Risuonanze Festival – Trieste, June 10th 2019

Rai.com

2018

Leavings  - opera (10 voices, 10 instruments, orchestra, electronics, video)

Penn State University Opera Program – State College, PA – Premiere April 2019

Rai.com

2017

The Searchers  for ensemble (fl, cl, vno, cello, piano, vibr)

Sentieri Selvaggi – Teatro dell’Elfo - Milano

Il Mondo di Tutti for children choir and ensemble (Bs, Hr, Tp, Trbn, Piano, Perc, Vla, Cello, Db) – texts by G. Caliceti

Progetto Migranti, Divertimento Ensemble, Teatro Leonardo – Milano; May 2018 at Flagey Festival, Bruxelles

Diabelli Variation XIX - for Ensemble (fl, ob, acc,  piano, perc)

Divertimento Ensemble, Teatro Litta, Milano

The Little Woman Who lived in a Shoe – stage music for Electronics

Piccolo Teatro di Milano, Charioteer Theater, Edinburg

2016

The Merry Wives of William – for flute, cello, piano and recitation; texts by Shakespeare

Piccolo Teatro di Milano, Charioteer Theater, Edinburg

2015

Lezioni Americane for piano

Silva Costanzo at Ecole Superiore, Strasbourg (France)

2014

L’Europeo Imbarbarito – for orchestra

Progetto Piccinni – Conservatorio di Bari – Teatro Kismet

E Scrisse O, come Orlando – stage music for mime theater

Teatro del Buratto – Teatro Verdi, Milan

Tiny Little Polar Blues – for piano

Alfonso Alberti, Milan

Celestina Masotti, Bari

2013

La Vìmba Peristaltica de Maribes – Vibes & Marimba

Aisha Duo - Milan

2012

Suite de l’Homme Désarmé –

11 Interludes for Vla, Cl, Guit, Cb

AGON – Sentieri Selvaggi, Milan

CD

AGON

2011

Fibonacci Variations, for Guitar

Sante Tursi, Guit, Bari

2010

Bardo, for Voice and Tanpura

Anne Harley, Sop, Claremont, CA

Le Strade della Libertà, stage music for Voice, Accordion, Electronics

Piccolo Teatro, Milan

Valiani Foundation, Turin

2009

Miguel Manara, stage music

Meeting per l’Amicizia fra I Popoli, Rimini

Rodaviva

CD Rodaviva

The Antennae of Thought that Listens, for Four-Hands Piano

Commiss: Spinosa-Calcagnile Duo, Centro Musica Contemporanea, Milan

RaiTrade

Rome

CD Spoon River (2012) Rai Trade, CMC

2007

Liebellula, for voice, vc & pf,

lyrics by Toti Scialoja

Lucilla May Trio, Museo della Scienza, Trento

2006

Sacred Folk Songs

for Vn & String Orch.

Festival di Pinerolo

RAITrade

Rome

2005

Una Finestra, a Betsaida

for Ensemble

Sentieri Selvaggi, Teatro Musicale di Monfalcone,

Biennale di Venezia

Suvini Zerboni, Milan

CD & Audio Book

2004

Spiragli, for orchestra

Orquestra Sinfonica do Paranà, Teatro Guaìra, Curitiba (Brazil)

Rodaviva

Rimini

2001

Slinking Around Midnight

for pf

Settembre Musica Festival, Turin; Emanuele Arciuli, pf

Suvini Zerboni, Milan

CD

Stradivarius 2011

Blitz!

for Sax & pf

Mario Marzi, Riccione

Suvini Zerboni, Milan

CD

Stradivarius 2002

Kaiser Soze

for Cl & Marimba

commiss: Duo Obliquo,

Teatro alla Scala, Milan

Suvini Zerboni, Milan

CD Thymallus

1999

PR en air

for Bass Cl, Cello, Pf

commiss.: BCCP (Berkeley Contemporary Chamber Players), Berkeley

1998

Narrazioni a più voci

a Homage to J.S.Bach

for Hapsch and Live Electronics

Società del Quartetto - AGON, Milan, Ruggero Laganà, harpsichord

Suvini Zerboni Milan

1996

Concerto per Archi

Progetto Dyonisos, Orchestra Nuova Cameristica’s Asia Tour

Suvini Zerboni Milan

Six Variations on a Theme by Rossini Stage Music for a Pantomime

Moschino Uomo Fashion Show 1996;

Divertimento Ensemble;

Teatro Manzoni, Milan

1995

Six Songs for the Twelfth Night

stage music for Shakespeare’s drama

Commiss. Teatro degli Incamminati, Teatro Romano - Verona

Six Sacred Folk Songs -Voice & Guitar

P.Bonaguri – Rimini

Rugginenti  Ed., Milan

CD Rusty Rec. 1996

1994

Chamber Concerto

for ensemble

commiss.: Divertimento Ensemble, Milan; Cal Performances,Berkeley

Suvini Zerboni Milan

3 jingles – for Radio & TV commercials

Sharp inc., Milan

Radio, TV broadcast

1993

King Lear, stage music for the drama by Shakespeare

commiss.: Teatro degli Incamminati, Teatro Romano, Verona

1992

Scale

for Ob & Hrpsch

Composers' Forum, Mills College, Oakland

1988

Orchestration of Two Songs by Tosti

commiss.: Ensemble Mozartiano; Vacanze a Milano, Milan

Favelas, for Percussion

commiss.: Dulbecco-Cacciola (La Scala)

Fiumara Ed, Agrate Brianza

CD Percussioni in Concerto,

Multi-medial works / installations:

Commiss / produc.

Rec.

2020

Vivere il Reale – Movie Soundtrack

Meeting di Rimini – Aug.

web

2015

The Golden Age of Milan – audio visual installation

AGON / Fake Factory / Castagna Ravelli production for EXPO 2015 - Palazzo Reale – Piazza Duomo – Comune di Milano

Web

2012

Soundtrack, DVD Documentary "In Campo Aperto"

Centro Culturale di Milano / Itaca Edition, Rimini

DVD

Soundtrack, DVD documentary "Into the Light" on sculptor-artist Marialuisa Tadei at Biennale di Venezia

Marialuisa Tadei / The Fake Factoy, Florence

DVD + Web

2010

Crescendo, A Trip to The Other Africa, Movie Soundtrack (dir: J.Lynch)

Fraternity of Saint Charles, Rome

DVD

«Ma misi me per l’alto mare aperto» L’Ulisse: quando Dante cantò la statura dell’uomo (dir: S.Braschi)

Meeting per l’Amicizia fra I Popoli, Rimini

Da uno a infinito. Al cuore della matematica Music consultant

Meeting per l’Amicizia fra I Popoli, Rimini

2009

Passaggio alla Luce, installation for sculptures and iPod (artist M.L.Tadei)

Biennale di Venezia, Venice

DVD - Officina

Spazi Infiniti, installation for live lecturer, video, dance and electronics (readings by Prof. Marco Bersanelli, astro-physicist)

Teatro Noh-Ma, Milan

Luci Futuriste: Il Suono della Guerra dei Suoni, Installation for Live Electronics & interactive video (visual artists Castagna & Ravelli)

Commiss: City of Milan,

Produc.: AGON, Milan

Labor & Pulse, for actor and Electronics, a homage to Pina Bausch

Commiss: Tramedautore,

Piccolo Teatro Studio, Milan

2008

A-B-Cell, installation for I-Pod and interactive video by artist Carlo Steiner

Gagliardi Art System / Gallery, Turin

2007

Inaudito Beethoven, (Beethoven Unheard), Curator of Multi-medial interactive exhibition (visual artist: Mara Colombo)

Meeting per l’Amicizia fra i Popoli, Rimini (14,000 visitors)

2006

Igor Stravinsky, un Maestro nel Novecento, Curator of Multi-Vision exhibition (visual artist: Mara Colombo)

Meeting per l’Amicizia fra i Popoli, Rimini (10,000 visitors)

2005

Mozart: Perfezione, Libertà, Ironia. I tratti di un solo volto  (Mozart: Perfection, Freedom, Irony: Three Features of the Same Face), Curator of Video Exhibition (visual artist: Ivano Conti)

Meeting per l’Amicizia fra i Popoli, Rimini (8,600 visitors)

2000

Sì – Azione Musicale in Tre Scene

multi-medial Opera, Neue Stuttgart Vocalsolisten, Divertimento Ensemble, AGON, Grandi Immagini

Grandi Eventi Giubileo 2000, Bergamo; Suvini Zerboni Ed, Milan

BG-TV

1998

Three Tales by Kafka,

Electronic music installation in a park

Commiss: Centro Studi Armando Gentilucci; Production: AGON, for

Fylkingen Festival, Stockhölm

1992

Three Trees, for 3 Voices,

Hameln, for solo Flute

...Rino, for solo Cl

Berkeley Festival of the Arts, Choreography by Guggenheim Fellow Wendy Rogers,

BMG Ariola Ed. Roma;

RAI Broadcast

1989

To Find My Home - Fractal Music for Solos, Choir, Orch.

Commiss: ISTRA, Milan

in collaboration with Nobel Prize poet C.Milosz & Computer Science Dept, Univ. of California, Berkeley

Articles

Publish.

2017

Gershwin Piano Music –

CD booklet (M. Zaccaria, piano)

2016

Il genio di Morricone, aspirazione alla "musica assoluta"

La Nuova BQ

2014

L’esperienza Musicale e le nuove Tecnologie. Intervista a Roberto Andreoni –

Emmeciquadro Science online magazinen. 54

2012

Attraverso i Secoli (Omaggio ad Andrés Segovia) – E. Della Chiara

CD Booklet, © 2012 Phoenix

2011

"The Concerto that Moved Stalin to Tears", Interview to Roberto Andreoni

"L'Informazione", daily newspaper, Modena

Onori, Oneri e Ambiguità del Tempo Musicale – Scendi un Minuto (rec)

Festival di Musica e Filosofia, Del Sud Ed., Bari, pp. 53-64 (CD Attached)

Beethoven’s Eroica – a listening guide

Spirto Gentil – BUR Ed, Milan, pp.130-133

Schubert’s Death and the Maiden

– a listening guide

Spirto Gentil – BUR Ed, Milan, pp.198-201

2009

L'ARTE DEI RUMORI! Teorie profetiche e prassi deludenti della Musica Futurista

Treccani Enciclopedia online

http://www.treccani.it/scuola/maturita/materiale_didattico/futurismo_nell_arte/andreoni.html

The Art of Noises, a Radio Dossier, Interviewed by Robert Worby

BBC Radio 3

2007

Inaudito Beethoven

Exhibition Catalog, Itaca Libri Ed, Rimini

2005

Mozart: Perfezione, Libertà, Ironia. I tratti di un solo volto 

Exhibition Catalog, Itaca Libri Ed, Rimini

Guided Listening to Beethoven’s Eroica, CD Booklet

CD Deutsche Grammophon

2004

La Forza dell’Accademia è nella Tradizione

Master, Anno II. N.2, Milan

2003

Insistere in una Terra Fertile

I Quaderni di Ricerca IRMUS n.1/03,

I Quaderni del Politecnico, Milan

Interview to James Galway

Flöte Aktuel Magazine, January issue

L’Emozione Primordiale del Suono

Il Giornale del Quartetto, Società del Quartetto, Milan

1999

The Music of Roberto Andreoni, by Enrico Raggi

C’è Musica e Musica Radio Series, Vatican Radio

1998

Guided Listening to Schubert’s “Death and The Maiden”, CD Booklet

CD Deutsche Grammophon

1995

Catalog of the exhibition L'Arte del Suono

Centro Culturale Rezzara, Carrara Edition, Bergamo

1992

Back to the ...Futurism?

Europa, the magazine of Istituto Italiano di Cultura, Goethe Institut and Alliance Francaise, San Francisco

1988

Program notes of the concert season:

Appunti di Musica Sacra, S. Maria della Passione, Milan

1983

Il libro dei Canti, International Folk Traditional songs (600 pages) - curator of the Second Edition

Jaca Book Edition, Milan

2020

Host, DYCE final convention 2020, with Divertimento Ensemble, Cikada, Taller Sonoro, Ensemble U., Hanspeter Kyburz, Dec. 13th

Umano e Umanità in Beethoven, Lecture-concert on Beethoven’s Op.27 and Op.13, Centro Culturale Manzoni, Bresso, Sept. 27th

2019

SIMC – C’é del Nuovo, Round Table Speaker, Conservatorio di Pesaro, Oct. 24th

SIMS Formation Workshop for Swiss Music Teachers, Dipartimento dell'Educazione, della Cultura e dello Sport, Mendrisio (CH)

Andreoni-Esposito: L’Ascolto e Lo Sguardo, Lecture Symposium, Politecnico Univ. of Bari

2018

Leggerezza, Lecture-concert, Six Memos Ensemble, Salone degli Affreschi, Ateneo, Bari

Working with Large Teams, Alegre-Andreoni, Union League Club, Chicago

- The Music of Roberto Andreoni,

- Vero vs Vitality,

Atelier delle Arti e degli Insegnanti, Bertinoro, Università degli Studi di Bologna

2017

Engaging Students in the Community, with M.d.C. del Cortès, IES Directors’ retreat, Chicago

2016

Lecture: Maudite soit la guerre (1914) by Alfred Machin, multi-media setting by Miguel Farías (1983) and Artur Akshelyan (1984), Divertimento Ensemble, Teatro Litta, Milan

Lecture-concert: Before the premiere of An Experiment with Time by Daniele Ghisi (multi media IRCAM & Divertimento Ensemble Project), Teatro Litta, Milan

Something Revealed, iTunes Podcast

2015

Lecture-concert: I Concerti di Casa Pogliaghi – concerto miniature: the pop art of fughe di Laganà intercalato da preludi di Schostakovic - Sacro Monte of Varese

Lecture-concert: An Analysis of Ligeti’s Piano Concerto - Divertimento Ensemble, Teatro Litta, Milan

Lecture: a guided listening to Bach’s St. Matthew Passion – S. Nicola in Dergano, Milan

Round Table Symposium & multi media performance: In Tutti i Sensi – with Cinzia Fiaschi, action painting, Andrea Mangiatordi, professor, Emanuela Ferri, piano - Università Milano Bicocca

Interview at International conference: Audience Building for Contemporary Music - Sole 24 Ore – Milan – RAI RadioTre broadcast

Interview to Artur Akshelyan, Eugene Birman, Ivan Fedele and Ruggero Laganà – Rondò – Teatro Litta, Milan

2014

Lecture: Musicanticontemporanea, Gruppo Assenzio, Univ. degli Studi, Milan

Lecture: Gesto musicale e comunicazione – Badia di Ganna

Lecture-Interview: Young Composers Contest from the Italian Music Conservatories, Divertimento Ensemble, Tempio Valdese, Milano

Lecture-Interviews: Call for Young Performers, the Mariagrazia Bellocchio Workshop, Gallerie d’Italia, Milan

2013

Lecture: Music: a friendship between humans and time at “The Nature of Time in Science and in Human Experience”, Euresis International Symposium, San Marino

Interview/Concert-Lesson: Concorso per gli studenti di composizione dei Conservatori italiani, Rondo, Auditorium Gruppo 24Ore, Milano

Interview/Concert-Lesson: Meet Japanese Composer Toshio Hosokawa, Rondo, Auditorium Gruppo 24Ore, Milano

Radio Show 1: Ethno-Techno, JB 900, Radio Svizzera Italiana, Channel 2

Radio Show 2: No-Limits Orchestra, JB 900, Radio Svizzera Italiana, Channel 2

Radio Show 3: Sacri Textures, JB 900, Radio Svizzera Italiana, Channel 2

Radio Show 4: Tempo Variabile, JB 900, Radio Svizzera Italiana, Channel 2

Lecture: Musica, un’Amicizia fra l’Uomo e il Tempo, Seminary of the Fraternità S.Carlo Borromeo, Rome

Concert-Lesson: Chopin, Concerto n.2 op.21, Pleyel, Op.20, dSocietà del Giardino, Milano Classica Orch., Milano

2012

Lecture: Singing Stones: Sacred Music and Sacred Spaces, Department of History, Medieval and Renaissance Studies, University of Nebraska, Omaha;

Lecture (Rader/Andreoni): IES Abroad Approach to On-Site Discipline, Union League Club, Chicago

Lecture: Why Italy, Why Now? – MLL Merrick Library, University of Miami, FL

Lecture: Sacred Music and Sacred Spaces in Italy, Società Dante Alighieri, Miami

Lecture: An Analysis of Brahms’ Fourth Symphony, Meeting per l’Amicizia fra i Popoli, Rimini

Lecture: Music: a Friendship of Humans and Time, Scientific Symposium on "Biological evolution and the Nature of Human Beings", San Marino

Lecture-Workshop: John Cage e i Suoni del Silenzio, "C'è Musica" Festival, Lecce

Concert-Lesson: Beethoven's Emperor Concerto, Haydn's Symphony nr.101, Orchestra M. Judina, Forum G.Monzani, Modena

Guest Lecturer, 6-hour Sacred Music Seminar Rivivere la Tradizione, Università Europea di Roma

Interviewer / Introducer to A Call for Young Performers: music by Kurtàg, Ligeti, Messiaen, Stockhausen, Rondò 2012, Divertimento Ensemble, Auditorium GRUPPO 24 ORE, Milan

Guided Visit and Lecture to the Faculty & Students of Baylor College Texas Program, TX: Music in the Nineteenth Century in Italy, Museum of La Scala, Milan

Lecture on John Cage’s Mesostics at the Parco Lambro of Milan, Festival 5 Giornate di Milano, Circolo ARCI Metissage, Milan

Presentation of "The Antennae of Thought that Listens" in occasion of the CD release Spoon River, Spinosa-Calcagnile Duo, Four Hands Piano, Circolo ARCI Metissage, Milan

Guest Composer of the month (march): 4 nights at the Spazio Novecento radio-show about issues of contemporary music, Radio della Svizzera Italiana – Channel 2, Lugano

Lecture: “Musica: un’amicizia fra l’uomo e il tempo” (Music: the friendship between humans and time), Politecnico University of Milan; CAMPLUS College; Liceo Classico Parini of Milan, Festival of Badia di Ganna – Varese, Gressoney

2011

Lecture: Language, Architecture and Symbol in Gregorian Chant, Seminary of the Fraternità S.Carlo Borromeo, Rome

Lecture: Cultural Immersion versus Technology: Does Social Media Inhibit Students' Cultural Awareness? by Andreoni-Stanley, IES Abroad Annual Conference, Chicago

Lecture "Schubert: Analysis of the Death and the Maiden Quartet”, Centro Culturale "Il Circolino", Milan

Concert-Lecture: Mozart’s Concerto n.23 for piano and orchestra K 488, historic Teatro Storchi, Modena

Concert-Lecture: Analysis of Après une Lecture de Dante: Fantasia quasi Sonata; Hao Huang, piano; Conservatorio N.Piccinni, Bari

2010

Concert-Lecture: The Making of Cross-Cultural Music and Research: Analysis and Performance of Roberto Andreoni’s Bardo, Malott Commons Tuesday Noon Academy, Scripps College, CA

Lecture: Italy: Modern Art Music in a Global Context, University of LaVerne, CA

Lecture: The Music of Roberto Andreoni,

University of the Redlands School of Music, CA

Lecture: Educating to Global Leadership - An Italian Perspective,

IES Annual Conference, Union League Club, Chicago

Concert-Lecture: Keyboard Music of J.S. Bach; Ramin Bahrami, piano, Conservatorio G.Verdi, Milan

Concert-Lecture: Onori, Oneri e Ambiguità del Tempo Musicale (= Honors, Burdens and Ambiguity of Musical Time), Festival di Musica e Filosofia "Il tempo in musica e filosofia", Ateneo, Università degli Studi, Bari

2009

Workshop: Praise of the Unpredictable and Awe: the Music of Roberto Andreoni, Composer’s Colloquium Series, Harvard University, Cambridge, MA

Lecture: Beethoven’s Seventh Symphony, Boston College, MA

Concert-Lecture: Liszt e Chopin, compagni di viaggio al destino; Nazzareno Carusi, piano, Ateneo di Bari

Concert-Interview to Ennio Morricone, Fiera di Rimini

Writer for the introduction to Nazzareno Carusi’s weekly televised performances of the following piano pieces:

• Rachmaninoff: Preludio op. 23 n. 2
• Chopin: Studio op.  10 n. 12
• Berio: Wasserklavier
• Brahms: Valzer op. 39 n. 15
• Scarlatti: Sonata in sol maggiore k13
• Mozart: Alla Turca
• Beethoven: Bagattella op. 126 n. 2
• Piazzolla: Oblivion per pianoforte e clarinetto
• Schumann: Traumerei op. 15 n. 7

Mattino 5, Canale 5, Mediaset National Broadcast

2008

Lectures:

• Italy - Modern Art Music with a Mona Lisa Smile
• Luigi Russolo and Futurist Music: The Art of Noise

Frost School of Music, University of Miami, Miami, FL

Lectures:

• The Art and Business of Music in Europe vs the US
• Italy: Modern Art Music with a Mona Lisa Smile

Penn State University, State College, PA

Concert-Lecture: Liszt’s Années de Pélerinage; Nazzareno Carusi, piano, Conservatorio G.Verdi, Milan

2006-

2007

Workshop: Music Education, Teaching Composition, Performing Arts Project, Regione Lombardia - Università di Bologna

2006

Lecture: Musica para Navidad – Universidad Complutense, Madrid

2005

Concert-Lecture: Dvorak’s Dumky Trio, (C.Vieck Trio) Teatro Sociale, Como;

Foundation Elisa, Locarno (CH)

Concert-Lecture: Schubert’s Trio Op.100, (Trio Matisse) Univ. Bocconi, Milan

2005

Mozart: Perfezione, Libertà, Ironia. I tratti di un solo volto, Rimini

Visiting O’Brien Professorship at Scripps College, Claremont, CA

Lessons/Lectures:

• Composition Students Coaching,
• Fundamentals of Music,
• Theory II, IV
• Concert and Conversation – The Music of Roberto Andreoni
• Lecture: Praise of the Unexpected and Realism of Awe, the Music of Roberto Andreoni
• Lecture: Oratorio, Opera, Multimedia – “Sì” – Azione Musicale in 3 Scenes
• Lecture: Modern Music with a Mona Lisa Smile… - Italian approaches to musical interaction and narrative

• Conversations with students of the Italian Department

Round Table: Modernism in Nowadays Arte, Centro Musica Contemporanea, Triennale Museum of Design, Milan

2004

Round Table: Professione Musicista, Istituzioni e Attività Musicali in Italia, the Subjects of Music Market Today, Conservatorio G. Verdi, Milan; Univ. of Bologna, Liberal Arts Workshop

Curator of the education project In Composizione, conjunct collaboration of AGON, the Milan Conservatory, Como Conservatory, Civica Scuola di Musica of Milan

2003

Concert-Lecture: The Primordial Emotion of Sound, Les Percussion de Strasbourg, Società del Quartetto, Sala Verdi, Conservatorio, Milan

Lecture: Reforming Music Curriculum Nowadays in Italy, Centre Culturel Francais, Milan

2002

Lecture: Giovani di Oggi, Musica di Sempre, Jeunesses Musicales International, Palazzo Stelline, Milan

2001

Round Table: Legami Musaici, with Bruno Lauzi, Davide Rondoni, Mariagrazia Bellocchio performing Andreoni’s complete piano works, Centro Culturale di Milano

Concert-Lecture: Schubert’s Death and the Maiden Quartet, (Maggio Musicale Fiorentino Quartet), Basilica di S.Alessandro, Bergamo

1997-

Lecturing tours and recruiting meetings with students and faculty, sponsored by IES Abroad, Chicago: Recent Developments of Music in Italy / Music Education in Italy

• Amherst College (MA),
• Bryn Mawr University (PA),
• California Institute of the Arts (CA) – Composition Colloquia
• Carnegie Mellon University (PA),
• Columbia University (NY),
• Denver University (CO),
• DePaul University (IL),
• Dominican College (IL),
• Eastman School of Music (NY),
• Franklyn & Marshall College (PA),
• Georgetown University (D.C.),
• Gustavus Adolphus University (MN),
• Illinois Wesleyan University (IL) – Composition Colloquia
• Indiana University (IN),
• Manhattan School of Music (NY),
• Millikin College (IL),
• New England Conservatory (MA),
• Northwestern University (IL),
• Penn State University (PA),
• Rochester University (NY),
• Rosemont College (PA),
• Spellman College (GA),
• SUNY at Stony Brook (NY) – Composition Colloquia
• Temple University (PA),
• Trinity University (TX),
• University of California at Berkeley (CA) – Composition Colloquia
• University of Hartford (MA),
• University of Illinois (IL),
• University of Miami (FL),
• University of Pittsburgh (PA),
• University of Puget Sound (WA),
• University of Richmond (VA),
• University of Southern California (CA),
• University of Texas at Austin (TX),
• University of Virginia (VA),
• Villanova University (PA)

1995

Conference & Concerts I Serassi e l'arte organaria a Bergamo, Curator, Scientific as well as Artistic Director, Centro Culturale Rezzara, Bergamo

1994

Lecture: La Musica del '900 negli U.S.A., UNITRE, Carate Brianza

1993

Lecture: Recent Developments of Music in Italy, Graduate Composition Colloquia, University of California at Berkeley

1992

Lecture: Russolo's Art of Noises: the forefather of Electronic Music, Block Gallery, Northwestern University, Chicago

1991

Lecture: XX Cent