BRIEF BIO of ROBERTO ANDREONI
Fulbright Scholar in Residence at Scripps College for the Fall semester 2010 Roberto Andreoni earned his undergraduate degree in Music Composition from the Conservatorio G.Verdi of Milan with further specialization at the local Civica Scuola di Musica under the tutelage of S.Gorli, G.Manzoni, F.Donatoni, B.Ferneyhough and G.Grisey. From 1989 to 1992, he studied and taught at the University of California, Berkeley, where he earned both his M.A. (1990) and Ph.D. (1994) in Music. While in the United States, he recorded (Wergo, Stradivarius, Rodaviva) some of his solo, chamber and theatrical works, which have been broadcasted (RAI, BBC, KKSF, Vatican Radio) and published (Rai Trade, BMG, Suvini Zerboni, Eco, Rodaviva).
From 1993 to 1996, he was the Director of the Scuola Civica di Musica in Assago, as well as instructor of History of Musical Forms, History of European Vocal Music and Twentieth Century Harmony at the The Institute for the International Education of Students (IES Abroad) Milan Center in partnership with the Università Cattolica del Sacro Cuore. He subsequently taught at the Conservatory of Trento, Bari and at the Civica Scuola di Musica of Milan, where he also served as the Director from 2002 – 2004.
He is Full Professor of Composition at the Rossini Conservatory of Pesaro, where he also serves as a member of the Academic Council. He frequently lectures as a guest professor in Italy, Switzerland and the United States.
From 1997 until the present, has been the Director of IES Abroad Milan Center in partnership with the Università Cattolica del Sacro Cuore, overseeing the academic, logistical and cultural experience of approximately 300 American students per year.
In addition to his academic endeavors, he is also an award-winning composer (BEA Award – Best Event in Italy for year 2009) of audio-visual installations, soundtracks and stage music. In Milan, he has collaborated with the Divertimento Ensemble and is a member of the AGON Arsmagnetica studio. His compositions have been performed in the United States, Europe, also in Brazil, Hong Kong, Singapore, Malaysia and Pakistan. His works have been played at such renowned venues as Carnegie Hall in New York, La Scala in Milan, the Biennale in Venice, and the Settembre Musica Festival in Turin. His Opera Sì was successfully staged in Bergamo.
DETAILED RESUME of ROBERTO ANDREONI
EDUCATION
1994 | Ph.D. in Music, University of California, Berkeley |
1990 | MA in Composition, University of California, Berkeley |
1989 | Diploma in Composition, with G.Manzoni, S.Gorli, Conservatorio di Musica G.Verdi, Milan |
1986-1988 | Perfection in Composition with F.Donatoni, B.Ferneyhough, G.Grisey, Scuola Civica di Musica, Milan |
1980 | Diploma, Liceo Scientifico R.Donatelli, Milan |
ACADEMIC POSITIONS
2020- | Member of the Academic Council, Conservatorio G.Rossini, Pesaro (Italy) |
2016- | Full Professor of Composition, undergraduate and graduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio G.Rossini, Pesaro (Italy) |
2010 | Fulbright Scholar in Residence, Professor of Italian Culture and Music, Scripps College, Claremont, CA |
2008-2016 | Full Professor of Music, undergraduate and graduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio N.Piccinni, Bari (Italy) |
2008-2011 | Lecturer, Master in Sacred Music, Architecture and Liturgy, Pontificio Ateneo Regina Apostolorum, Università Europea di Roma – (Vatican City) |
2000-2008 | Full Professor of Music, undergraduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Civica Scuola di Musica, Milan (Italy) |
2007-2008 | Lecturer of Twentieth Century Music, Graduate School of Composition, Conservatory of Lugano (Switzerland) |
1995, 1997, 1998-1999 | Associate Professor of Music, undergraduate and graduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio N.Piccinni, Bari |
1996 | Associate Professor of Music, undergraduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio di Musica Bonporti di Trento at Riva del Garda |
1996-2018 | Professor of Music, IES Abroad Milan, muisc courses taught in English to international undergraduate students on Contemporary Music and Literature, Futurism, Musical Forms, and European Vocal Music, Milan |
1993-1995 | Instructor, courses of Musicianship and Music Theory, Scuola Civica di Musica, Assago |
1991-1992 | Graduate Student Instructor (GSI II), undergraduate courses of Basic Musicianship, University of California, Berkeley |
1990 | Graduate Student Instructor (GSI I), Assistant of Proff. R.Taruskin and J.Butt, undergraduate courses of Introduction to Music, University of California, Berkeley |
1985-87 | Substitute Teacher, Scuola Media G.Pascoli Middle School, Music Education, Milan |
1981 | Substitute Teacher, Istituto Maria Immacolata Middle School, Music Education, Milan |
ADMINISTRATIVE EXPERIENCE, COMMITTEES
2011 | Supervisor of Assessment, Nucleo di Valutazione Committee, Civica Scuola di Musica, Milan |
1997- | Director, IES Abroad, Chicago-based consortium of US colleges and universities, at Università Cattolica del Sacro Cuore, Milan https://www.iesabroad.org/IES/Programs/Italy/Milan/milan.html |
2001- | Board Member, AGON Acustica Informatica Musica, Milan |
2005- | Board Member, Il Canto di Orfeo Ensemble, Milan |
2010 | Jury Member, International Composition Competition “S.Rossore”, Pisa |
2002-2004 | Director, Civica Scuola di Musica, Milan |
2003-2004 | President of the Jury, Concorso Jazz Dimensione Giovani, Comune di Milano, Orchestra Senza Confini |
1995-1996 | Management Consultant, AGON - Centro Studi Armando Gentilucci, Milan |
1993-1996 | Director, Scuola Civica di Musica, Assago |
1992-1996 | Production Manager, Divertimento Ensemble, Milan |
GRANTS, AWARDS, HONORS
2010 | Fulbright Scholar in Residence at Scripps College, Claremont, CA
|
2009 | B.E.A. Award: Best Public Event in Italy in 2009 for Luci Futuriste: Il Suono della Guerra dei Suoni, commissioned by the City of Milan, produced by Castagna & Ravelli and AGON, Milan |
2009 | Visiting Composer, Harvard University, Composers’ Colloquium, Cambridge, MA |
2008 | Visiting Professor of Music, Penn State University, State College, PA |
2006 | Visiting Professor of Music, University of Puget Sound, WA |
2005 | O’Brien Visiting Professorship, Scripps College, Claremont, CA |
2004 | Spokesman Elected to represent the Association of music schools in Italy, AISM Conference, Malmö, Sweden |
2001 | Composer in Residence, Arcana Composers’ Meeting, Brescia, Italy |
1992 | Anne Ellston Scholarship, University of California, Berkeley |
1992 | First Prize, Nicola De Lorenzo Prize for Music Composition, for String Trio, University of California, Berkeley |
1991 | G.Charlebois Scholarship and O.Weil Memorial Scholarship, University of California, Berkeley |
1990 | First Prize, Nicola De Lorenzo Prize for Music Composition, for Opere – for solos, choir and orchestra, University of California, Berkeley |
1990 | Discussed and Included in the national list of emerging composers at the National Conference Comporre per la pratica, possibilitá e limiti, Bolzano, Italy |
1989 | Lulu J.Blumberg Memorial Fellowship in Music, University of California, Berkeley |
1988 | ISTRA Scholarship, funding one year of research abroad with Ceslaw Milosz, 1980 Nobel Prize for Literature, Milan |
1986 | Selected for the final performance at Concorso Nazionale di Composizione Castello di Belveglio, with L'Aquilone, for wind quintet, Belveglio, Italy |
1986 | Selected for the Young Composers & Young Performers Series with the piece L'Istante for strings e percussion, cond: Daniele Gatti, Circolo Culturale Bertolt Brecht, Milan |
COMPOSITIONS, INSTALLATIONS, COMMISSIONS, PUBLICATIONS, RECORDINGS[1]
| Instrumental / Vocal Compositions:
| Commiss / produc. | Publish. | Rec. |
2011 | Fibonacci Variations, for Guitar | Sante Tursi, Guit, Bari |
|
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| Suite de l’Homme Désarmé – 11 Interludes for Vla, Cl, Guit, Cb | AGON – Sentieri Selvaggi Ens, Milan |
| CD AGON |
2010 | Bardo, for Voice | Anne Harley, Sop, Claremont, CA | RaiTrade Rome |
|
| Le Strade della Libertà, stage music for Voice, Accordion, Electronics | Piccolo Teatro, Milan Valiani Found., Turin |
|
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2009 | Miguel Manara, stage music | Meeting per l’Amicizia fra I Popoli, Rimini | Rodaviva | CD Rodaviva |
| The Antennae of Thought that Listens, for Four-Hands Piano | Commiss: Spinosa-Calcagnile Duo, Centro Musica Contemporanea, Milan | RaiTrade Rome | CD Spoon River (2012) Rai Trade, CMC |
2007 | Liebellula, for voice, vc & pf, lyrics by Toti Scialoja | Lucilla May Trio, Museo della Scienza, Trento |
|
|
2006 | Sacred Folk Songs for Vn & String Orch. | Festival di Pinerolo | RAITrade Rome |
|
2005 | Una Finestra, a Betsaida for Ensemble | Sentieri Selvaggi, Teatro Musicale di Monfalcone, Biennale di Venezia | Suvini Zerboni, Milan | CD & Audio Book |
2004 | Spiragli, for orchestra | Orquestra Sinfonica do Paranà, Teatro Guaìra, Curitiba (Brazil) | Rodaviva Rimini |
|
2001 | Slinking Around Midnight for pf | Settembre Musica Festival, Turin; Emanuele Arciuli, pf | Suvini Zerboni, Milan | CD Stradivarius 2011 |
| Blitz! for Sax & pf | Mario Marzi, Riccione | Suvini Zerboni, Milan | CD Stradivarius 2002 |
| Kaiser Soze for Cl & Marimba | commiss: Duo Obliquo, Teatro alla Scala, Milan | Suvini Zerboni, Milan | CD Thymallus |
1999 | PR en air for Bass Cl, Cello, Pf | commiss.: BCCP (Berkeley Contemporary Chamber Players), Berkeley |
|
|
1998 | Narrazioni a più voci a Homage to J.S.Bach for Hapsch and Live Electronics | Società del Quartetto - AGON, Milan, Ruggero Laganà, harpsichord | Suvini Zerboni, Milan |
|
1996 | Concerto per Archi | Progetto Dyonisos, Orchestra Nuova Cameristica’s Asia Tour | Suvini Zerboni, Milan |
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| Six Variations on a Theme by Rossini Stage Music for a Pantomime | Moschino Uomo Fashion Show 1996; Divertimento Ensemble; Teatro Manzoni, Milan |
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1995 | Six Songs for the Twelfth Night stage music for Shakespeare’s drama | Commiss. Teatro degli Incamminati, Teatro Romano - Verona |
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| Six Sacred Folk Songs for Voice & Guitar | Commiss: P.Bonaguri-G.Valmaggi; Università di Rimini | Rugginenti Ed., Milan | CD Rusty Records, 1996 |
1994 | Chamber Concerto for ensemble | commiss.: Divertimento Ensemble, Milan; Cal Performances,Berkeley | Suvini Zerboni, Milan |
|
| 3 jingles – for Radio & TV commercials | Sharp inc., Milan |
| Radio, TV broadcast |
1993 | King Lear, stage music for the drama by Shakespeare | commiss.: Teatro degli Incamminati, Teatro Romano, Verona |
|
|
1992 | Scale for Ob & Hrpsch | Composers' Forum, Mills College, Oakland |
|
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1988 | Orchestration of Two Songs by Tosti | commiss.: Ensemble Mozartiano; Vacanze a Milano, Milan |
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| Favelas, for Percussion | commiss.: Dulbecco-Cacciola (La Scala) | Fiumara Ed, Agrate Brianza | CD Percussioni in Concerto, |
| Multi-medial works / installations:
| Commiss / produc. | Rec. |
2010 | Crescendo, A Trip to The Other Africa, Movie Soundtrack (dir: J.Lynch) | Fraternity of Saint Charles, Rome | DVD |
| «Ma misi me per l’alto mare aperto» L’Ulisse: quando Dante cantò la statura dell’uomo (dir: S.Braschi) | Meeting per l’Amicizia fra I Popoli, Rimini |
|
| Da uno a infinito. Al cuore della matematica Music consultant | Meeting per l’Amicizia fra I Popoli, Rimini |
|
2009 | Passaggio alla Luce, installation for sculptures and iPod (artist Maria Luisa Tadei) | Biennale di Venezia, Venice |
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| Spazi Infiniti, installation for live lecturer, video, dance and electronics (readings by Prof. Marco Bersanelli, astro-physicist) | Teatro Noh-Ma, Milan |
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| Luci Futuriste: Il Suono della Guerra dei Suoni, Installation for Live Electronics & interactive video (visual artists Castagna & Ravelli) | Commiss: City of Milan, Produc.: AGON, Milan |
|
| Labor & Pulse, for actor and Electronics, a homage to Pina Bausch | Commiss: Tramedautore, Piccolo Teatro Studio, Milan |
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2008 | A-B-Cell, installation for I-Pod and interactive video by artist Carlo Steiner | Gagliardi Art System / Gallery, Turin |
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2007 | Inaudito Beethoven, (Beethoven Unheard), Curator of Multi-medial interactive exhibition (visual artist: Mara Colombo) | Meeting per l’Amicizia fra i Popoli, Rimini (14,000 visitors) |
|
2006 | Igor Stravinsky, un Maestro nel Novecento (I.S., a 20th Century Master), Curator of Multi-Vision exhibition (visual artist: Mara Colombo) | Meeting per l’Amicizia fra i Popoli, Rimini (10,000 visitors) |
|
2005 | Mozart: Perfezione, Libertà, Ironia. I tratti di un solo volto (Mozart: Perfection, Freedom, Irony: Three Features of the Same Face), Curator of Video Exhibition (visual artist: Ivano Conti) | Meeting per l’Amicizia fra i Popoli, Rimini (8,600 visitors) |
|
2000 | Sì – Azione Musicale in Tre Scene multi-medial Opera, Neue Stuttgart Vocalsolisten, Divertimento Ensemble, AGON, Grandi Immagini | Grandi Eventi Giubileo 2000, Bergamo; Suvini Zerboni Ed, Milan | BG-TV |
1998 | Three Tales by Kafka, Electronic music installation in a park | Commiss: Centro Studi Armando Gentilucci; Production: AGON, for Fylkingen Festival, Stockhölm |
|
1992 | Three Trees, for 3 Voices, Hameln, for solo Flute ...Rino, for solo Cl | Berkeley Festival of the Arts, Choreography by Guggenheim Fellow Wendy Rogers, | BMG Ariola Ed. Roma; RAI Broadcast |
1989 | To Find My Home - Fractal Music for Solos, Choir, Orch. | Commiss: ISTRA, Milan in collaboration with Nobel Prize poet C.Milosz & Computer Science Dept, Univ. of California, Berkeley |
|
| Articles
| Publish. |
| |
2011 | Onori, Oneri e Ambiguità del Tempo Musicale – Scendi un Minuto (rec) | Festival di Musica e Filosofia, Del Sud Ed., Bari, pp. 53-64 (CD Attached) |
| |
| Beethoven’s Eroica – a listening guide | Spirto Gentil – BUR Ed, Milan, pp.130-133 |
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| Schubert’s Death and the Maiden – a listening guide | Spirto Gentil – BUR Ed, Milan, pp.198-201 |
| |
2009 | L'ARTE DEI RUMORI! Teorie profetiche e prassi deludenti della Musica Futurista | Treccani Enciclopedia online http://www.treccani.it/scuola/maturita/materiale_didattico/futurismo_nell_arte/andreoni.html
|
| |
| The Art of Noises, a Radio Dossier, Interviewed by Robert Worby | BBC Radio 3 |
| |
2007 | Inaudito Beethoven | Exhibition Catalog, Itaca Libri Ed, Rimini |
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2005 | Mozart: Perfezione, Libertà, Ironia. I tratti di un solo volto | Exhibition Catalog, Itaca Libri Ed, Rimini |
| |
| Guided Listening to Beethoven’s Eroica, CD Booklet | CD Deutsche Grammophon |
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2004 | La Forza dell’Accademia è nella Tradizione | Master, Anno II. N.2, Milan |
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2003 | Insistere in una Terra Fertile | I Quaderni di Ricerca IRMUS n.1/03, I Quaderni del Politecnico, Milan |
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| Interview to James Galway | Flöte Aktuel Magazine, January issue |
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| L’Emozione Primordiale del Suono | Il Giornale del Quartetto, Società del Quartetto, Milan |
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1999 | The Music of Roberto Andreoni, by Enrico Raggi | C’è Musica e Musica Radio Series, Vatican Radio |
| |
1998 | Guided Listening to Schubert’s “Death and The Maiden”, CD Booklet | CD Deutsche Grammophon |
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1995 | Catalog of the exhibition L'Arte del Suono | Centro Culturale Rezzara, Carrara Edition, Bergamo |
| |
1992 | Back to the ...Futurism? | Europa, the magazine of Istituto Italiano di Cultura, Goethe Institut and Alliance Francaise, San Francisco |
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1988 | Program notes of the concert season: | Appunti di Musica Sacra, S. Maria della Passione, Milan |
| |
1983 | Il libro dei Canti, collection of international lyrics from the Folk Traditions (600 pages) - curator of the Second Edition | Jaca Book Edition, Milan |
| |
LECTURES, LESSONS
2011 | Concert-Lecture: Mozart’s Concerto n.23 for piano and orchestra K 488, historic Teatro Storchi, Modena |
| Lecture: “Musica: un’amicizia fra l’uomo e il tempo” (Music: the friendship between time and humans), Euresis Science Conference, Gressoney |
| Concert-Lecture: Analysis of Après une Lecture de Dante: Fantasia quasi Sonata; Hao Huang, piano; Conservatorio N.Piccinni, Bari |
2010 | Concert-Lecture: The Making of Cross-Cultural Music and Research: Analysis and Performance of Roberto Andreoni’s Bardo, Malott Commons Tuesday Noon Academy, Scripps College, CA |
| Lecture: Italy: Modern Art Music in a Global Context, University of LaVerne, CA |
| Lecture: The Music of Roberto Andreoni, University of the Redlands School of Music, CA |
| Lecture: Educating to Global Leadership - An Italian Perspective, IES Annual Conference, Union League Club, Chicago |
| Concert-Lecture: Keyboard Music of J.S. Bach; Ramin Bahrami, piano, Conservatorio G.Verdi, Milan |
| Concert-Lecture: Onori, Oneri e Ambiguità del Tempo Musicale (= Honors, Burdens and Ambiguity of Musical Time), Festival di Musica e Filosofia "Il tempo in musica e filosofia", Ateneo, Università degli Studi, Bari |
2009 | Workshop: Praise of the Unpredictable and Awe: the Music of Roberto Andreoni, Composer’s Colloquium Series, Harvard University, Cambridge, MA |
| Lecture: Beethoven’s Seventh Symphony, Boston College, MA |
| Concert-Lecture: Liszt e Chopin, compagni di viaggio al destino; Nazzareno Carusi, piano, Ateneo di Bari |
| Concert-Interview to Ennio Morricone, Fiera di Rimini |
| Writer for the introduction to Nazzareno Carusi’s weekly televised performances of the following piano pieces:
Mattino 5, Canale 5, Mediaset National Broadcast |
2008 | Lectures:
Frost School of Music, University of Miami, Miami, FL |
| Lectures:
Penn State University, State College, PA |
| Concert-Lecture: Liszt’s Années de Pélerinage; Nazzareno Carusi, piano, Conservatorio G.Verdi, Milan |
2006- 2007 | Workshop: Music Education, Teaching Composition, Performing Arts Project, Regione Lombardia - Università di Bologna |
2006 | Lecture: Musica para Navidad – Universidad Complutense, Madrid |
2005 | Concert-Lecture: Dvorak’s Dumky Trio, (Clara Vieck Trio) Teatro Sociale, Como; Foundation Elisa, Locarno (CH) |
| Concert-Lecture: Schubert’s Trio Op.100, (Trio Matisse) Università Bocconi, Milan |
| Visiting O’Brien Professorship at Scripps College, Claremont, CA Lessons/Lectures:
|
| Round Table: Modernism in Nowadays Arte, Centro Musica Contemporanea, Triennale Museum of Design, Milan |
2004 | Round Table: Professione Musicista, Istituzioni e Attività Musicali in Italia, the Subjects of Music Market Today, Conservatorio G. Verdi, Milan; Univ. of Bologna, Liberal Arts Workshop |
| Curator of the education project In Composizione, conjunct collaboration of AGON, the Milan Conservatory, Como Conservatory, Civica Scuola di Musica of Milan |
2003 | Concert-Lecture: The Primordial Emotion of Sound, Les Percussion de Strasbourg, Società del Quartetto, Sala Verdi, Conservatorio, Milan |
| Lecture: Reforming Music Curriculum Nowadays in Italy, Centre Culturel Francais, Milan |
2002 | Lecture: Giovani di Oggi, Musica di Sempre, Jeunesses Musicales International, Palazzo Stelline, Milan |
2001 | Round Table: Legami Musaici, with Bruno Lauzi, Davide Rondoni, Mariagrazia Bellocchio performing Andreoni’s complete piano works, Centro Culturale di Milano |
| Concert-Lecture: Schubert’s Death and the Maiden Quartet, (Maggio Musicale Fiorentino Quartet), Basilica di S.Alessandro, Bergamo |
1997- | Lecturing tours and recruiting meetings with students and faculty, sponsored by IES Abroad, Chicago: Recent Developments of Music in Italy / Music Education in Italy
|
1995 | Conference & Concerts I Serassi e l'arte organaria a Bergamo, Curator, Scientific as well as Artistic Director, Centro Culturale Rezzara, Bergamo |
1994 | Lecture: La Musica del '900 negli U.S.A., UNITRE, Carate Brianza |
1993 | Lecture: Recent Developments of Music in Italy, Graduate Composition Colloquia, University of California at Berkeley |
1992 | Lecture: Russolo's Art of Noises: the forefather of Electronic Music, Block Gallery, Northwestern University, Chicago |
1991 | Lecture: XX Century Cultural Areas and Music Movements in the US, Collegio S.Alessandro, Bergamo, for Universitá Cattolica del Sacro Cuore of Milan |
| Lecture: How to listen to Music, a Composer's and conductor's perspective, Christian Brothers High School, Sacramento (CA) |
1988 | Lecture: Ascoltare e fare musica - ...a partire da cosa?, Nuova Accademia di Belle Arti, Milan |
1987 | Lecture: Ascoltare Musica alla ricerca del volto umano, Liceo Classico Berchet, Milan |
1986 | Lecture: Alle radici delle forme musicali, Presenza Cooperativa Servizi Culturali, Sesto S.Giovanni |
OTHER PROFESSIONAL EXPERIENCES
| Company | Job |
| |
1995-1996 | AGON - Centro Studi Armando Gentilucci, Milan | Management Assistant |
| |
1992-1996 | Divertimento Ensemble, Milan | Production Manager |
| |
1995 | Teatro del Buratto, Milan
| Scriptwriter and Music Consultant for the production of Rimsky-Korsakov’s Sheherazade |
| |
1993 | Universitá Cattolica del Sacro Cuore, Milan | Music Consultant: Project of Management of all music-related properties of the M.I.A. Foundation at Bergamo (Pio Consorzio della Misericordia Maggiore) |
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1992 | Istituto Italiano di Cultura, San Francisco | Music Consultant |
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1991 | Office for Tourism of the U.S.A., Milano | Artistic Collaborator of the event America, America '92 |
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1990 | Berkeley Art Museum, Berkeley, CA | Translator of selected essays of aesthetics by Italian philosopher Gianni Vattimo |
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1986-1987 | City Administration of Milan, Teatro Ciack, Milan | Artistic Director Rassegna Musicale Giovanile I Popoli di Milano (Youth Music Festival: The Peoples of Milan) |
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1986-1987 | Cooperativa Itinerari Musicali, Milan | Distribution Manager |
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1985-1987 | Rassegna Teatro per Ragazzi, Teatro Sala Fontana, Milano | Animator, Composer, Performer with the Tempo Variabile Percussion Ensemble |
| |
1983-1990 |
| Copyist |
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1983-1984 | Italian Army | Obligatory Military Service (Albenga, Milan): In charge of all entertainment / music events of the Reparto Comando del Terzo Corpo d’Armata (Headquarters of the III Army Corps) |
| |
1982 | Conservatorio G.Verdi, Milan | Intern, in charge of filing program notes for all student concerts in Milan and in the public libraries of the Milan County |
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[1] For the detailed list of compositions, premieres and publications please see the attached file named Catalogo delle Composizioni.
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