BRIEF BIO of ROBERTO ANDREONI
Fulbright Scholar in Residence at Scripps College for the Fall semester 2010 Roberto Andreoni earned his undergraduate degree in Music Composition from the Conservatorio G.Verdi of Milan with further specialization at the local Civica Scuola di Musica under the tutelage of S.Gorli, G.Manzoni, F.Donatoni, B.Ferneyhough and G.Grisey. From 1989 to 1992, he studied and taught at the University of California, Berkeley, where he earned both his M.A. (1990) and Ph.D. (1994) in Music. While in the United States, he recorded (Wergo, Stradivarius, Rodaviva) some of his solo, chamber and theatrical works, which have been broadcasted (RAI, BBC, KKSF, Vatican Radio) and published (Rai Trade, BMG, Suvini Zerboni, Eco, Rodaviva).
From 1993 to 1996, he was the Director of the Scuola Civica di Musica in Assago, as well as instructor of History of Musical Forms, History of European Vocal Music and Twentieth Century Harmony at the The Institute for the International Education of Students (IES Abroad) Milan Center in partnership with the Università Cattolica del Sacro Cuore. He subsequently taught at the Conservatory of Trento, Bari and at the Civica Scuola di Musica of Milan, where he also served as the Director from 2002 – 2004.
He is Full Professor of Composition at the Rossini Conservatory of Pesaro, where he also serves as a member of the Academic Council. He frequently lectures as a guest professor in Italy, Switzerland and the United States.
From 1997 until the present, has been the Director of IES Abroad Milan Center in partnership with the Università Cattolica del Sacro Cuore, overseeing the academic, logistical and cultural experience of approximately 300 American students per year.
In addition to his academic endeavors, he is also an award-winning composer (BEA Award – Best Event in Italy for year 2009) of audio-visual installations, soundtracks and stage music. In Milan, he has collaborated with the Divertimento Ensemble and is a member of the AGON Arsmagnetica studio. His compositions have been performed in the United States, Europe, also in Brazil, Hong Kong, Singapore, Malaysia and Pakistan. His works have been played at such renowned venues as Carnegie Hall in New York, La Scala in Milan, the Biennale in Venice, and the Settembre Musica Festival in Turin. His Opera Sì was successfully staged in Bergamo.
DETAILED RESUME of ROBERTO ANDREONI
EDUCATION
1994
Ph.D. in Music, University of California, Berkeley
1990
MA in Composition, University of California, Berkeley
1989
Diploma in Composition, with G.Manzoni, S.Gorli, Conservatorio di Musica G.Verdi, Milan
1986-1988
Perfection in Composition with F.Donatoni, B.Ferneyhough, G.Grisey, Scuola Civica di Musica, Milan
1980
Diploma, Liceo Scientifico R.Donatelli, Milan
ACADEMIC POSITIONS
2020-
Member of the Academic Council, Conservatorio G.Rossini, Pesaro (Italy)
2016-
Full Professor of Composition, undergraduate and graduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio G.Rossini, Pesaro (Italy)
2010
Fulbright Scholar in Residence, Professor of Italian Culture and Music, Scripps College, Claremont, CA
2008-2016
Full Professor of Music, undergraduate and graduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio N.Piccinni, Bari (Italy)
2008-2011
Lecturer, Master in Sacred Music, Architecture and Liturgy, Pontificio Ateneo Regina Apostolorum, Università Europea di Roma – (Vatican City)
2000-2008
Full Professor of Music, undergraduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Civica Scuola di Musica, Milan (Italy)
2007-2008
Lecturer of Twentieth Century Music, Graduate School of Composition, Conservatory of Lugano (Switzerland)
1995, 1997, 1998-1999
Associate Professor of Music, undergraduate and graduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio N.Piccinni, Bari
1996
Associate Professor of Music, undergraduate courses of Harmony, Counterpoint, Fugue, Theory, Analysis, Composition, Conservatorio di Musica Bonporti di Trento at Riva del Garda
1996-2018
Professor of Music, IES Abroad Milan, muisc courses taught in English to international undergraduate students on Contemporary Music and Literature, Futurism, Musical Forms, and European Vocal Music, Milan
1993-1995
Instructor, courses of Musicianship and Music Theory, Scuola Civica di Musica, Assago
1991-1992
Graduate Student Instructor (GSI II), undergraduate courses of Basic Musicianship, University of California, Berkeley
1990
Graduate Student Instructor (GSI I), Assistant of Proff. R.Taruskin and J.Butt, undergraduate courses of Introduction to Music, University of California, Berkeley
1985-87
Substitute Teacher, Scuola Media G.Pascoli Middle School, Music Education, Milan
1981
Substitute Teacher, Istituto Maria Immacolata Middle School, Music Education, Milan
ADMINISTRATIVE EXPERIENCE, COMMITTEES
2011
Supervisor of Assessment, Nucleo di Valutazione Committee, Civica Scuola di Musica, Milan
1997-
Director, IES Abroad, Chicago-based consortium of US colleges and universities, at Università Cattolica del Sacro Cuore, Milan https://www.iesabroad.org/IES/Programs/Italy/Milan/milan.html
2001-
Board Member, AGON Acustica Informatica Musica, Milan
http://www.agonarsmagnetica.it
2005-
Board Member, Il Canto di Orfeo Ensemble, Milan
http://www.quartettomilano.it/it/00637/638/page.html
2010
Jury Member, International Composition Competition “S.Rossore”, Pisa
2002-2004
Director, Civica Scuola di Musica, Milan
http://www.fondazionemilano.eu/musica/
2003-2004
President of the Jury, Concorso Jazz Dimensione Giovani, Comune di Milano, Orchestra Senza Confini
1995-1996
Management Consultant, AGON - Centro Studi Armando Gentilucci, Milan
1993-1996
Director, Scuola Civica di Musica, Assago
http://musicassago.altervista.org/pagine/scuola.html
1992-1996
Production Manager, Divertimento Ensemble, Milan
http://www.divertimentoensemble.org/
GRANTS, AWARDS, HONORS
2010
Fulbright Scholar in Residence at Scripps College, Claremont, CA
2009
B.E.A. Award: Best Public Event in Italy in 2009 for Luci Futuriste: Il Suono della Guerra dei Suoni, commissioned by the City of Milan, produced by Castagna & Ravelli and AGON, Milan
2009
Visiting Composer, Harvard University, Composers’ Colloquium, Cambridge, MA
2008
Visiting Professor of Music, Penn State University, State College, PA
2006
Visiting Professor of Music, University of Puget Sound, WA
2005
O’Brien Visiting Professorship, Scripps College, Claremont, CA
2004
Spokesman Elected to represent the Association of music schools in Italy, AISM Conference, Malmö, Sweden
2001
Composer in Residence, Arcana Composers’ Meeting, Brescia, Italy
1992
Anne Ellston Scholarship, University of California, Berkeley
1992
First Prize, Nicola De Lorenzo Prize for Music Composition, for String Trio, University of California, Berkeley
1991
G.Charlebois Scholarship and O.Weil Memorial Scholarship, University of California, Berkeley
1990
First Prize, Nicola De Lorenzo Prize for Music Composition, for Opere – for solos, choir and orchestra, University of California, Berkeley
1990
Discussed and Included in the national list of emerging composers at the National Conference Comporre per la pratica, possibilitá e limiti, Bolzano, Italy
1989
Lulu J.Blumberg Memorial Fellowship in Music, University of California, Berkeley
1988
ISTRA Scholarship, funding one year of research abroad with Ceslaw Milosz, 1980 Nobel Prize for Literature, Milan
1986
Selected for the final performance at Concorso Nazionale di Composizione Castello di Belveglio, with L'Aquilone, for wind quintet, Belveglio, Italy
1986
Selected for the Young Composers & Young Performers Series with the piece L'Istante for strings e percussion, cond: Daniele Gatti, Circolo Culturale Bertolt Brecht, Milan
COMPOSITIONS, INSTALLATIONS, COMMISSIONS, PUBLICATIONS, RECORDINGS[1]
Instrumental / Vocal Compositions:
Commiss / produc.
Publish.
Rec.
2011
Fibonacci Variations, for Guitar
Sante Tursi, Guit, Bari
Suite de l’Homme Désarmé –
11 Interludes for Vla, Cl, Guit, Cb
AGON – Sentieri Selvaggi Ens, Milan
CD
AGON
2010
Bardo, for Voice
Anne Harley, Sop, Claremont, CA
RaiTrade
Rome
Le Strade della Libertà, stage music for Voice, Accordion, Electronics
Piccolo Teatro, Milan
Valiani Found., Turin
2009
Miguel Manara, stage music
Meeting per l’Amicizia fra I Popoli, Rimini
Rodaviva
CD Rodaviva
The Antennae of Thought that Listens, for Four-Hands Piano
Commiss: Spinosa-Calcagnile Duo,
Centro Musica Contemporanea, Milan
RaiTrade
Rome
CD Spoon River (2012) Rai Trade, CMC
2007
Liebellula, for voice, vc & pf,
lyrics by Toti Scialoja
Lucilla May Trio, Museo della Scienza, Trento
2006
Sacred Folk Songs
for Vn & String Orch.
Festival di Pinerolo
RAITrade
Rome
2005
Una Finestra, a Betsaida
for Ensemble
Sentieri Selvaggi, Teatro Musicale di Monfalcone,
Biennale di Venezia
Suvini Zerboni, Milan
CD & Audio Book
2004
Spiragli, for orchestra
Orquestra Sinfonica do Paranà, Teatro Guaìra, Curitiba (Brazil)
Rodaviva
Rimini
2001
Slinking Around Midnight
for pf
Settembre Musica Festival, Turin; Emanuele Arciuli, pf
Suvini Zerboni, Milan
CD
Stradivarius 2011
Blitz!
for Sax & pf
Mario Marzi, Riccione
Suvini Zerboni, Milan
CD
Stradivarius 2002
Kaiser Soze
for Cl & Marimba
commiss: Duo Obliquo,
Teatro alla Scala, Milan
Suvini Zerboni, Milan
CD Thymallus
1999
PR en air
for Bass Cl, Cello, Pf
commiss.: BCCP (Berkeley Contemporary Chamber Players), Berkeley
1998
Narrazioni a più voci
a Homage to J.S.Bach
for Hapsch and Live Electronics
Società del Quartetto - AGON, Milan, Ruggero Laganà, harpsichord
Suvini Zerboni, Milan
1996
Concerto per Archi
Progetto Dyonisos, Orchestra Nuova Cameristica’s Asia Tour
Suvini Zerboni, Milan
Six Variations on a Theme by Rossini Stage Music for a Pantomime
Moschino Uomo Fashion Show 1996;
Divertimento Ensemble;
Teatro Manzoni, Milan
1995
Six Songs for the Twelfth Night
stage music for Shakespeare’s drama
Commiss. Teatro degli Incamminati, Teatro Romano - Verona
Six Sacred Folk Songs
for Voice & Guitar
Commiss: P.Bonaguri-G.Valmaggi; Università di Rimini
Rugginenti Ed., Milan
CD Rusty Records, 1996
1994
Chamber Concerto
for ensemble
commiss.: Divertimento Ensemble, Milan; Cal Performances,Berkeley
Suvini Zerboni, Milan
3 jingles – for Radio & TV commercials
Sharp inc., Milan
Radio, TV broadcast
1993
King Lear, stage music for the drama by Shakespeare
commiss.: Teatro degli Incamminati, Teatro Romano, Verona
1992
Scale
for Ob & Hrpsch
Composers' Forum, Mills College, Oakland
1988
Orchestration of Two Songs by Tosti
commiss.: Ensemble Mozartiano; Vacanze a Milano, Milan
Favelas, for Percussion
commiss.: Dulbecco-Cacciola (La Scala)
Fiumara Ed, Agrate Brianza
CD Percussioni in Concerto,
Multi-medial works / installations:
Commiss / produc.
Rec.
2010
Crescendo, A Trip to The Other Africa, Movie Soundtrack (dir: J.Lynch)
Fraternity of Saint Charles, Rome
DVD
«Ma misi me per l’alto mare aperto» L’Ulisse: quando Dante cantò la statura dell’uomo (dir: S.Braschi)
Meeting per l’Amicizia fra I Popoli, Rimini
Da uno a infinito. Al cuore della matematica Music consultant
Meeting per l’Amicizia fra I Popoli, Rimini
2009
Passaggio alla Luce, installation for sculptures and iPod (artist Maria Luisa Tadei)
Biennale di Venezia, Venice
Spazi Infiniti, installation for live lecturer, video, dance and electronics (readings by Prof. Marco Bersanelli, astro-physicist)
Teatro Noh-Ma, Milan
Luci Futuriste: Il Suono della Guerra dei Suoni, Installation for Live Electronics & interactive video (visual artists Castagna & Ravelli)
Commiss: City of Milan,
Produc.: AGON, Milan
Labor & Pulse, for actor and Electronics, a homage to Pina Bausch
Commiss: Tramedautore,
Piccolo Teatro Studio, Milan
2008
A-B-Cell, installation for I-Pod and interactive video by artist Carlo Steiner
Gagliardi Art System / Gallery, Turin
2007
Inaudito Beethoven, (Beethoven Unheard), Curator of Multi-medial interactive exhibition (visual artist: Mara Colombo)
Meeting per l’Amicizia fra i Popoli, Rimini (14,000 visitors)
2006
Igor Stravinsky, un Maestro nel Novecento (I.S., a 20th Century Master), Curator of Multi-Vision exhibition (visual artist: Mara Colombo)
Meeting per l’Amicizia fra i Popoli, Rimini (10,000 visitors)
2005
Mozart: Perfezione, Libertà, Ironia. I tratti di un solo volto (Mozart: Perfection, Freedom, Irony: Three Features of the Same Face), Curator of Video Exhibition (visual artist: Ivano Conti)
Meeting per l’Amicizia fra i Popoli, Rimini (8,600 visitors)
2000
Sì – Azione Musicale in Tre Scene
multi-medial Opera, Neue Stuttgart Vocalsolisten, Divertimento Ensemble, AGON, Grandi Immagini
Grandi Eventi Giubileo 2000, Bergamo; Suvini Zerboni Ed, Milan
BG-TV
1998
Three Tales by Kafka,
Electronic music installation in a park
Commiss: Centro Studi Armando Gentilucci; Production: AGON, for
Fylkingen Festival, Stockhölm
1992
Three Trees, for 3 Voices,
Hameln, for solo Flute
...Rino, for solo Cl
Berkeley Festival of the Arts, Choreography by Guggenheim Fellow Wendy Rogers,
BMG Ariola Ed. Roma;
RAI Broadcast
1989
To Find My Home - Fractal Music for Solos, Choir, Orch.
Commiss: ISTRA, Milan
in collaboration with Nobel Prize poet C.Milosz & Computer Science Dept, Univ. of California, Berkeley
Articles
Publish.
2011
Onori, Oneri e Ambiguità del Tempo Musicale – Scendi un Minuto (rec)
Festival di Musica e Filosofia, Del Sud Ed., Bari, pp. 53-64 (CD Attached)
Beethoven’s Eroica – a listening guide
Spirto Gentil – BUR Ed, Milan, pp.130-133
Schubert’s Death and the Maiden
– a listening guide
Spirto Gentil – BUR Ed, Milan, pp.198-201
2009
L'ARTE DEI RUMORI! Teorie profetiche e prassi deludenti della Musica Futurista
Treccani Enciclopedia online
http://www.treccani.it/scuola/maturita/materiale_didattico/futurismo_nell_arte/andreoni.html
The Art of Noises, a Radio Dossier, Interviewed by Robert Worby
BBC Radio 3
2007
Inaudito Beethoven
Exhibition Catalog, Itaca Libri Ed, Rimini
2005
Mozart: Perfezione, Libertà, Ironia. I tratti di un solo volto
Exhibition Catalog, Itaca Libri Ed, Rimini
Guided Listening to Beethoven’s Eroica, CD Booklet
CD Deutsche Grammophon
2004
La Forza dell’Accademia è nella Tradizione
Master, Anno II. N.2, Milan
2003
Insistere in una Terra Fertile
I Quaderni di Ricerca IRMUS n.1/03,
I Quaderni del Politecnico, Milan
Interview to James Galway
Flöte Aktuel Magazine, January issue
L’Emozione Primordiale del Suono
Il Giornale del Quartetto, Società del Quartetto, Milan
1999
The Music of Roberto Andreoni, by Enrico Raggi
C’è Musica e Musica Radio Series, Vatican Radio
1998
Guided Listening to Schubert’s “Death and The Maiden”, CD Booklet
CD Deutsche Grammophon
1995
Catalog of the exhibition L'Arte del Suono
Centro Culturale Rezzara, Carrara Edition, Bergamo
1992
Back to the ...Futurism?
Europa, the magazine of Istituto Italiano di Cultura, Goethe Institut and Alliance Francaise, San Francisco
1988
Program notes of the concert season:
Appunti di Musica Sacra, S. Maria della Passione, Milan
1983
Il libro dei Canti, collection of international lyrics from the Folk Traditions (600 pages) - curator of the Second Edition
Jaca Book Edition, Milan
LECTURES, LESSONS
2011
Concert-Lecture: Mozart’s Concerto n.23 for piano and orchestra K 488, historic Teatro Storchi, Modena
Lecture: “Musica: un’amicizia fra l’uomo e il tempo” (Music: the friendship between time and humans), Euresis Science Conference, Gressoney
Concert-Lecture: Analysis of Après une Lecture de Dante: Fantasia quasi Sonata; Hao Huang, piano; Conservatorio N.Piccinni, Bari
2010
Concert-Lecture: The Making of Cross-Cultural Music and Research: Analysis and Performance of Roberto Andreoni’s Bardo, Malott Commons Tuesday Noon Academy, Scripps College, CA
Lecture: Italy: Modern Art Music in a Global Context, University of LaVerne, CA
Lecture: The Music of Roberto Andreoni,
University of the Redlands School of Music, CA
Lecture: Educating to Global Leadership - An Italian Perspective,
IES Annual Conference, Union League Club, Chicago
Concert-Lecture: Keyboard Music of J.S. Bach; Ramin Bahrami, piano, Conservatorio G.Verdi, Milan
Concert-Lecture: Onori, Oneri e Ambiguità del Tempo Musicale (= Honors, Burdens and Ambiguity of Musical Time), Festival di Musica e Filosofia "Il tempo in musica e filosofia", Ateneo, Università degli Studi, Bari
2009
Workshop: Praise of the Unpredictable and Awe: the Music of Roberto Andreoni, Composer’s Colloquium Series, Harvard University, Cambridge, MA
Lecture: Beethoven’s Seventh Symphony, Boston College, MA
Concert-Lecture: Liszt e Chopin, compagni di viaggio al destino; Nazzareno Carusi, piano, Ateneo di Bari
Concert-Interview to Ennio Morricone, Fiera di Rimini
Writer for the introduction to Nazzareno Carusi’s weekly televised performances of the following piano pieces:
Rachmaninoff: Preludio op. 23 n. 2Chopin: Studio op. 10 n. 12Berio: WasserklavierBrahms: Valzer op. 39 n. 15Scarlatti: Sonata in sol maggiore k13Mozart: Alla TurcaBeethoven: Bagattella op. 126 n. 2Piazzolla: Oblivion per pianoforte e clarinettoSchumann: Traumerei op. 15 n. 7Mattino 5, Canale 5, Mediaset National Broadcast
2008
Lectures:
Italy - Modern Art Music with a Mona Lisa SmileLuigi Russolo and Futurist Music: The Art of NoiseFrost School of Music, University of Miami, Miami, FL
Lectures:
The Art and Business of Music in Europe vs the USItaly: Modern Art Music with a Mona Lisa SmilePenn State University, State College, PA
Concert-Lecture: Liszt’s Années de Pélerinage; Nazzareno Carusi, piano, Conservatorio G.Verdi, Milan
2006-
2007
Workshop: Music Education, Teaching Composition, Performing Arts Project, Regione Lombardia - Università di Bologna
2006
Lecture: Musica para Navidad – Universidad Complutense, Madrid
2005
Concert-Lecture: Dvorak’s Dumky Trio, (Clara Vieck Trio) Teatro Sociale, Como;
Foundation Elisa, Locarno (CH)
Concert-Lecture: Schubert’s Trio Op.100, (Trio Matisse) Università Bocconi, Milan
Visiting O’Brien Professorship at Scripps College, Claremont, CA
Lessons/Lectures:
Composition Students Coaching,Fundamentals of Music, Theory II, Theory IVConcert and Conversation – The Music of Roberto AndreoniLecture: Praise of the Unexpected and Realism of Awe, the Music of Roberto AndreoniLecture: Oratorio, Opera, Multimedia – “Sì” – Azione Musicale in 3 Scenes by R. AndreoniLecture: Modern Music with a Mona Lisa Smile… - Italian approaches to musical interaction and narrativeConversations with students of the Italian Department
Round Table: Modernism in Nowadays Arte, Centro Musica Contemporanea, Triennale Museum of Design, Milan
2004
Round Table: Professione Musicista, Istituzioni e Attività Musicali in Italia, the Subjects of Music Market Today, Conservatorio G. Verdi, Milan; Univ. of Bologna, Liberal Arts Workshop
Curator of the education project In Composizione, conjunct collaboration of AGON, the Milan Conservatory, Como Conservatory, Civica Scuola di Musica of Milan
2003
Concert-Lecture: The Primordial Emotion of Sound, Les Percussion de Strasbourg, Società del Quartetto, Sala Verdi, Conservatorio, Milan
Lecture: Reforming Music Curriculum Nowadays in Italy, Centre Culturel Francais, Milan
2002
Lecture: Giovani di Oggi, Musica di Sempre, Jeunesses Musicales International, Palazzo Stelline, Milan
2001
Round Table: Legami Musaici, with Bruno Lauzi, Davide Rondoni, Mariagrazia Bellocchio performing Andreoni’s complete piano works, Centro Culturale di Milano
Concert-Lecture: Schubert’s Death and the Maiden Quartet, (Maggio Musicale Fiorentino Quartet), Basilica di S.Alessandro, Bergamo
1997-
Lecturing tours and recruiting meetings with students and faculty, sponsored by IES Abroad, Chicago: Recent Developments of Music in Italy / Music Education in Italy
Amherst College (MA),Bryn Mawr University (PA),California Institute of the Arts (CA) – Composition ColloquiaCarnegie Mellon University (PA),Columbia University (NY),Denver University (CO),DePaul University (IL),Dominican College (IL),Eastman School of Music (NY),Franklyn & Marshall College (PA),Georgetown University (D.C.),Gustavus Adolphus University (MN),Illinois Wesleyan University (IL) – Composition ColloquiaIndiana University (IN),Manhattan School of Music (NY),Millikin College (IL),New England Conservatory (MA),Northwestern University (IL),Penn State University (PA),Rochester University (NY),Rosemont College (PA),Spellman College (GA),SUNY at Stony Brook (NY) – Composition ColloquiaTemple University (PA),Trinity University (TX),University of California at Berkeley (CA) – Composition ColloquiaUniversity of Hartford (MA),University of Illinois (IL),University of Miami (FL),University of Pittsburgh (PA),University of Puget Sound (WA),University of Richmond (VA),University of Southern California (CA),University of Texas at Austin (TX),University of Virginia (VA),Villanova University (PA)1995
Conference & Concerts I Serassi e l'arte organaria a Bergamo, Curator, Scientific as well as Artistic Director, Centro Culturale Rezzara, Bergamo
1994
Lecture: La Musica del '900 negli U.S.A., UNITRE, Carate Brianza
1993
Lecture: Recent Developments of Music in Italy, Graduate Composition Colloquia, University of California at Berkeley
1992
Lecture: Russolo's Art of Noises: the forefather of Electronic Music, Block Gallery, Northwestern University, Chicago
1991
Lecture: XX Century Cultural Areas and Music Movements in the US, Collegio S.Alessandro, Bergamo, for Universitá Cattolica del Sacro Cuore of Milan
Lecture: How to listen to Music, a Composer's and conductor's perspective, Christian Brothers High School, Sacramento (CA)
1988
Lecture: Ascoltare e fare musica - ...a partire da cosa?, Nuova Accademia di Belle Arti, Milan
1987
Lecture: Ascoltare Musica alla ricerca del volto umano, Liceo Classico Berchet, Milan
1986
Lecture: Alle radici delle forme musicali,
Presenza Cooperativa Servizi Culturali, Sesto S.Giovanni
OTHER PROFESSIONAL EXPERIENCES
Company
Job
1995-1996
AGON - Centro Studi Armando Gentilucci, Milan
Management Assistant
1992-1996
Divertimento Ensemble, Milan
Production Manager
1995
Teatro del Buratto, Milan
Scriptwriter and Music Consultant for the production of Rimsky-Korsakov’s Sheherazade
1993
Universitá Cattolica del Sacro Cuore, Milan
Music Consultant: Project of Management of all music-related properties of the M.I.A. Foundation at Bergamo (Pio Consorzio della Misericordia Maggiore)
1992
Istituto Italiano di Cultura,
San Francisco
Music Consultant
1991
Office for Tourism of the U.S.A., Milano
Artistic Collaborator of the event
America, America '92
1990
Berkeley Art Museum, Berkeley, CA
Translator of selected essays of aesthetics by Italian philosopher Gianni Vattimo
1986-1987
City Administration of Milan, Teatro Ciack, Milan
Artistic Director Rassegna Musicale Giovanile I Popoli di Milano (Youth Music Festival: The Peoples of Milan)
1986-1987
Cooperativa Itinerari Musicali, Milan
Distribution Manager
1985-1987
Rassegna Teatro per Ragazzi, Teatro Sala Fontana, Milano
Animator, Composer, Performer with the Tempo Variabile Percussion Ensemble
1983-1990
Ricordi Editions, MilanCarish Editions, MilanSonzogno Editions, MilanRugginenti Editions, MilanCopyist
1983-1984
Italian Army
Obligatory Military Service (Albenga, Milan):
In charge of all entertainment / music events of the Reparto Comando del Terzo Corpo d’Armata (Headquarters of the III Army Corps)
1982
Conservatorio G.Verdi, Milan
Intern, in charge of filing program notes for all student concerts in Milan and in the public libraries of the Milan County
[1] For the detailed list of compositions, premieres and publications please see the attached file named Catalogo delle Composizioni.
web-site: www.robertoandreoni.com